The language of graphic design
Visual Dictionary
Peter J. Wolf
Publisher text in a sensational global cooperation was this reference that the most important concepts of the design world and history in five languages and precisely explains this impressive international image examples illustrated. German, French, English, Italian and English shall thereby constitute separate chapters, which treat more than two hundred keywords. The brief translation of each word and a cross reference in each other's languages are found below each comment. The most convenient combination of dictionary and lexicon is not only unique but also an absolute must for any designer to interact with partners and colleagues around the world clearly share!
The author Peter J. Wolf is at the School of Design Innovation at Arizona State University as a lecturer. His teaching areas include industrial design, visual communication design and design history. He has published extensively both in the trade as published in the public press.
My comment The demands of work in creative occupations have risen: not only is looking for creative empowerment as a versatile VisualisiererIn, but also extensive knowledge of professional reasoning. The aim of the DFI-training is the acquisition of vocational competence, "defined as a composition of professional, personal and methodological skills. General requirements of the work currently derived from three mega trends: first
Globalization and internationalization,
second Technologisation and computerization of work and third
Dissolution of work "
. (Source: Hermann Groß, Stefan Hüppe: forming learning; 2010, Cornelsen Verlag, Berlin)
The internationalization of the world of work is due to this multi-lingual dictionary of commonly used technical terms, it really has great value and not only clear but is also well illustrated. Expertise is conveyed via specialized language. Asymmetry of focus, lithography and line break, the author devotes with sample images all key terms, and brings them through cross-references in an international context. This has never happened in this form, and therefore can move without detours as a new standard work for the globaliserte communication design education in any university library.
Conclusion ***** (5 out of 5 stars)
This book is from mid-February before the DFI library.
Peter J. Wolf - The language of graphic design
Visual Dictionary
first Edition 2010 Stiebner Verlag, Munich appeared
432 pages, over 1200 figures
Format: 260 x 220 mm (29,90 €)
Hard cover
> www.stiebner.com
My comment The demands of work in creative occupations have risen: not only is looking for creative empowerment as a versatile VisualisiererIn, but also extensive knowledge of professional reasoning. The aim of the DFI-training is the acquisition of vocational competence, "defined as a composition of professional, personal and methodological skills. General requirements of the work currently derived from three mega trends: first
Globalization and internationalization,
second Technologisation and computerization of work and third
Dissolution of work "
. (Source: Hermann Groß, Stefan Hüppe: forming learning; 2010, Cornelsen Verlag, Berlin)
The internationalization of the world of work is due to this multi-lingual dictionary of commonly used technical terms, it really has great value and not only clear but is also well illustrated. Expertise is conveyed via specialized language. Asymmetry of focus, lithography and line break, the author devotes with sample images all key terms, and brings them through cross-references in an international context. This has never happened in this form, and therefore can move without detours as a new standard work for the globaliserte communication design education in any university library.
Conclusion ***** (5 out of 5 stars)
This book is from mid-February before the DFI library.
Peter J. Wolf - The language of graphic design
Visual Dictionary
first Edition 2010 Stiebner Verlag, Munich appeared
432 pages, over 1200 figures
Format: 260 x 220 mm (29,90 €)
Hard cover
> www.stiebner.com
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